Event Type : Other

Design Convivio arrives at Politecnico and opens its doors to the public starting in April 2025. The installation, inaugurated in October 2023 at the Historical Library of Politecnico di Milano and later hosted by ADI Design Museum, is finally arriving at the Campus Durando (Building B4, ground floor).

Design Convivio, curated by Giampiero Bosoni and Paola Bertola, is an integral part of the Design Philology project and materialises the origins of the institutionalisation of design at Politecnico di Milano. The installation stages an imaginary dialogue between some of the forerunners protagonists of this path. The figures chosen to represent its fundamental passages are Gio Ponti, Franco Albini, Carlo De Carli, Marco Zanuso, Achille Castiglioni, Vittoriano Viganò, Alberto Rosselli and Raffaella Crespi, all graduates of Politecnico and then professors at the same university in founding subjects for design culture.

The dialogues, curated by writer Gianni Biondillo and actress and director Paola Albini, are inspired by original writings and quotations from the eight characters, selected by Giampiero Bosoni and Marta Elisa Cecchi. The installation, conceived and designed by Ico Migliore (Migliore+Servetto), stages an imaginary convivial moment between the eight protagonists seated around a large table, set with images and references to their projects. Through an interaction with the spectator, the characters, represented with original illustrations by Ico Migliore and interpreted by the voices of Gianni Biondillo, Paola Albini and a few professional actors, are activated and intervene in a game of repartee.
Luminous words, suspended at full height in the library, echo the protagonists’ dialogues, recalling their fundamental role in shaping not only iconic projects and objects in the history of design, but the very language of design and its meanings. The keywords stem from the cultural and scientific vision behind the creation of a new course of study, announced by Raffaella Crespi, the youngest of the eight protagonists and the only woman. Alongside Tomás Maldonado, who joined Politecnico in 1984, she contributed to the commission “Contributions to the Formation of the Degree Course in Industrial Design and Furniture”, initiating the institutionalisation of design at Politecnico di Milano.

The installation will be open for visits by reservation on the following days:

• April 1
• April 15
• April 29
• May 13
• June 24
• July 8

To book your visit go to www.dipartimentodesign.polimi.it.

At the 19th International Architecture Exhibition – La Biennale di Venezia, taking place 10 May-23 November 2025, Politecnico di Milano will support seven projects addressing the challenges of contemporary architecture through an interdisciplinary lens. This year’s event, curated by Carlo Ratti, is entitled “Intelligens. Natural. Artificial. Collective.” and invites reflection on the forms of intelligence emerging from the interplay between space, technology, and society.

In this context, the presence of the Politecnico di Milano is reflected in the installations that foster dialogue between architecture, science, and innovation, engaging with themes such as sustainability, sensory perception, wellbeing, and new materials. Applied research, a cross-disciplinary outlook, and an emphasis on social impact form the common thread linking these projects, designed to enrich the global discourse on the future of architecture.

The Politecnico di Milano, supports the following projects participating in the Biennale Architettura 2025:

• Material Bank – Matters Make Sense is a project set up at the Corderie dell’Arsenale, presented by Ingrid Maria Paoletti and Stefano Capolongo (Department of Architecture, Built Environment and Construction Engineering, Politecnico di Milano), together with set designer Margherita Palli and Nobel Laureate Konstantin Novosëlov (National University of Singapore), awarded for his work on graphene. The project explores perception as a fundamental form of intelligence, linking innovative materials, sensory experience and the built environment. Inspired by the intertwined concepts of a labyrinth and a library, the installation, features interactive devices such as the Polimi_Sensing Core, which enables visitors to perceive their own heartbeat through reactive fabrics, prompting a reflection on the body as an environmental interface.
• On display at the Arsenale, within the Intelligens Canon section, Milano Urban Mine is an applied research project proposing a spatial model designed to map building components at the end of their life cycle. The aim is to encourage material reuse strategies in urban settings, supporting the principles of a circular economy and sustainable urban planning. Developed by participants Andrea Bortolotti, Matteo Clementi, Federico Godino and Elena Luongo (Department of Architecture and Urban Studies at Politecnico di Milano), and based on an academic exercise carried out within the 2023–2024 Urban Planning Laboratory at the School of Urban Architecture and Construction Engineering of the Milanese university, the project aligns with current approaches to urban regeneration and material flow analysis.
• Resourceful Intelligence is an installation created through a partnership between Park, Accurat, and the Politecnico di Milano research team composed of participants Gabriele Masera, Francesco Pittau and Michele Versaci. The project tackles the challenge of reusing material resources in the urban landscape, suggesting strategies to reduce raw material consumption via selective deconstruction and mapping resources. Based on two Milanese case studies, the installation illustrates how the built environment can serve as an active reservoir for city regeneration, championing an architectural methodology grounded in circularity and sustainability. This contribution is part of Politecnico di Milano’s wider commitment to design approaches that are conscious, adaptable, and geared toward ecological transition.
• With the “Instabilities. The shifting Alpine landscapes” project, Politecnico di Milano supports to the Biennale Architettura 2025 a cartographic investigation of the Alpine region, displayed at the Corderie dell’Arsenale. This work, developed by participants Francesco Garofalo (Visiting Professor) and Chiara Geroldi (Department of Architecture and Urban Studies, Politecnico di Milano), results from a partnership with BOKU University of Vienna (INLA) and the design studio Openfabric.  First conceived during a project workshop within the master’s degree programme in Landscape Architecture – Land Landscape Heritage this project challenges the idea of the Alps as a fixed and unchanging landscape. It traces the extractive processes such as quarrying, hydroelectric power, ski tourism and monocultures that have historically shaped and continue to transform the Alpine region. Using critical maps, sectional drawings, and visual representations, the project portrays the Alps as a dynamic landscape of extraction—shaped by cycles of expansion and contraction and crossed by material flows and global infrastructure networks.
• REwind REwild is a project by the Centro di Competenze Territori AntiFragili (CRAFT) of the Department of Architecture and Urban Studies at Politecnico di Milano, showcased in the Italian Pavilion – Terrae Aquae. L’intelligenza del mare (The Intelligence of the Sea), by Valeria Fedeli, Massimo Bricocoli, Chiara Nifosì, Cristina Renzoni and Nicola Russi, the project explores the instability of Mediterranean coastal areas through a series of 18 research projects presented in video format. REwind REwild introduces a “polytechnic” and “polytemporal” design approach focused on building resilience and reshaping the connection between infrastructure and natural processes. Set against the backdrop of climate change and urban challenges, the project investigates rewilding strategies and approaches to regional governance that transform crises and disruptions into opportunities for adaptation and regeneration.
• Archive & the City is a visual exploration project based on the Historical Archives of Contemporary Arts of Biennale di Venezia, designed to convey the complexity and richness of over a century of artistic heritage through three large-scale graphic visualisations, each measuring 3×3 metres. Created in partnership with the DensityDesign Lab from the Politecnico di Milano Design Department and coordinated by Luigi Farrauto with Jon Kleinberg, Marco Santambrogio, Achille Varzi, these visualisations convert archival data into an engaging, immersive visual experience. The first showcases the structure and diversity of the stored materials; the second arranges more than 140,000 digital images based on their visual similarities, revealing unexpected connections across different eras and events; the third highlights the relationships between artworks and individuals, uncovering hidden connections and often overlooked figures. The project experiments with data visualisation as a tool for critique, storytelling and curation.
• Design as an Astronaut provides a virtual reality experience within the Argonaut Habitat Unit, developed with the support of the European Space Agency (ESA), MIT Media Lab and Politecnico di Milano. Presented by Valentina Sumini, Cody Paige, Tommy Nilsson, the project investigates the living potential of the Argonaut lunar lander, re-envisioned as a habitat module for short-duration human space missions. The work combines algorithmic modelling and innovative materials – such as Kevlar and mycelium – to create a lightweight, safe and self-sufficient structure. The interior, designed for the astronauts’ psychophysical wellbeing, provides adaptive solutions and lighting strategies inspired by circadian rhythms. It is an invitation to consider extreme habitats as laboratories for a new culture of sustainability.

Biennale Architettura 2025
10 May > 23 November 2025
Opening hours and information

At the 19th International Architecture Exhibition – La Biennale di Venezia, taking place 10 May-23 November 2025, Politecnico di Milano will support seven projects addressing the challenges of contemporary architecture through an interdisciplinary lens. This year’s event, curated by Carlo Ratti, is entitled “Intelligens. Natural. Artificial. Collective.” and invites reflection on the forms of intelligence emerging from the interplay between space, technology, and society.

In this context, the presence of the Politecnico di Milano is reflected in the installations that foster dialogue between architecture, science, and innovation, engaging with themes such as sustainability, sensory perception, wellbeing, and new materials. Applied research, a cross-disciplinary outlook, and an emphasis on social impact form the common thread linking these projects, designed to enrich the global discourse on the future of architecture.

The Politecnico di Milano, supports the following projects participating in the Biennale Architettura 2025:

• Material Bank – Matters Make Sense is a project set up at the Corderie dell’Arsenale, presented by Ingrid Maria Paoletti and Stefano Capolongo (Department of Architecture, Built Environment and Construction Engineering, Politecnico di Milano), together with set designer Margherita Palli and Nobel Laureate Konstantin Novosëlov (National University of Singapore), awarded for his work on graphene. The project explores perception as a fundamental form of intelligence, linking innovative materials, sensory experience and the built environment. Inspired by the intertwined concepts of a labyrinth and a library, the installation, features interactive devices such as the Polimi_Sensing Core, which enables visitors to perceive their own heartbeat through reactive fabrics, prompting a reflection on the body as an environmental interface.
• On display at the Arsenale, within the Intelligens Canon section, Milano Urban Mine is an applied research project proposing a spatial model designed to map building components at the end of their life cycle. The aim is to encourage material reuse strategies in urban settings, supporting the principles of a circular economy and sustainable urban planning. Developed by participants Andrea Bortolotti, Matteo Clementi, Federico Godino and Elena Luongo (Department of Architecture and Urban Studies at Politecnico di Milano), and based on an academic exercise carried out within the 2023–2024 Urban Planning Laboratory at the School of Urban Architecture and Construction Engineering of the Milanese university, the project aligns with current approaches to urban regeneration and material flow analysis.
• Resourceful Intelligence is an installation created through a partnership between Park, Accurat, and the Politecnico di Milano research team composed of participants Gabriele Masera, Francesco Pittau and Michele Versaci. The project tackles the challenge of reusing material resources in the urban landscape, suggesting strategies to reduce raw material consumption via selective deconstruction and mapping resources. Based on two Milanese case studies, the installation illustrates how the built environment can serve as an active reservoir for city regeneration, championing an architectural methodology grounded in circularity and sustainability. This contribution is part of Politecnico di Milano’s wider commitment to design approaches that are conscious, adaptable, and geared toward ecological transition.
• With the “Instabilities. The shifting Alpine landscapes” project, Politecnico di Milano supports to the Biennale Architettura 2025 a cartographic investigation of the Alpine region, displayed at the Corderie dell’Arsenale. This work, developed by participants Francesco Garofalo (Visiting Professor) and Chiara Geroldi (Department of Architecture and Urban Studies, Politecnico di Milano), results from a partnership with BOKU University of Vienna (INLA) and the design studio Openfabric.  First conceived during a project workshop within the master’s degree programme in Landscape Architecture – Land Landscape Heritage this project challenges the idea of the Alps as a fixed and unchanging landscape. It traces the extractive processes such as quarrying, hydroelectric power, ski tourism and monocultures that have historically shaped and continue to transform the Alpine region. Using critical maps, sectional drawings, and visual representations, the project portrays the Alps as a dynamic landscape of extraction—shaped by cycles of expansion and contraction and crossed by material flows and global infrastructure networks.
• REwind REwild is a project by the Centro di Competenze Territori AntiFragili (CRAFT) of the Department of Architecture and Urban Studies at Politecnico di Milano, showcased in the Italian Pavilion – Terrae Aquae. L’intelligenza del mare (The Intelligence of the Sea), by Valeria Fedeli, Massimo Bricocoli, Chiara Nifosì, Cristina Renzoni and Nicola Russi, the project explores the instability of Mediterranean coastal areas through a series of 18 research projects presented in video format. REwind REwild introduces a “polytechnic” and “polytemporal” design approach focused on building resilience and reshaping the connection between infrastructure and natural processes. Set against the backdrop of climate change and urban challenges, the project investigates rewilding strategies and approaches to regional governance that transform crises and disruptions into opportunities for adaptation and regeneration.
• Archive & the City is a visual exploration project based on the Historical Archives of Contemporary Arts of Biennale di Venezia, designed to convey the complexity and richness of over a century of artistic heritage through three large-scale graphic visualisations, each measuring 3×3 metres. Created in partnership with the DensityDesign Lab from the Politecnico di Milano Design Department and coordinated by Luigi Farrauto with Jon Kleinberg, Marco Santambrogio, Achille Varzi, these visualisations convert archival data into an engaging, immersive visual experience. The first showcases the structure and diversity of the stored materials; the second arranges more than 140,000 digital images based on their visual similarities, revealing unexpected connections across different eras and events; the third highlights the relationships between artworks and individuals, uncovering hidden connections and often overlooked figures. The project experiments with data visualisation as a tool for critique, storytelling and curation.
• Design as an Astronaut provides a virtual reality experience within the Argonaut Habitat Unit, developed with the support of the European Space Agency (ESA), MIT Media Lab and Politecnico di Milano. Presented by Valentina Sumini, Cody Paige, Tommy Nilsson, the project investigates the living potential of the Argonaut lunar lander, re-envisioned as a habitat module for short-duration human space missions. The work combines algorithmic modelling and innovative materials – such as Kevlar and mycelium – to create a lightweight, safe and self-sufficient structure. The interior, designed for the astronauts’ psychophysical wellbeing, provides adaptive solutions and lighting strategies inspired by circadian rhythms. It is an invitation to consider extreme habitats as laboratories for a new culture of sustainability.

Biennale Architettura 2025
10 May > 23 November 2025
Opening hours and information

At the 19th International Architecture Exhibition – La Biennale di Venezia, taking place 10 May-23 November 2025, Politecnico di Milano will support seven projects addressing the challenges of contemporary architecture through an interdisciplinary lens. This year’s event, curated by Carlo Ratti, is entitled “Intelligens. Natural. Artificial. Collective.” and invites reflection on the forms of intelligence emerging from the interplay between space, technology, and society.

In this context, the presence of the Politecnico di Milano is reflected in the installations that foster dialogue between architecture, science, and innovation, engaging with themes such as sustainability, sensory perception, wellbeing, and new materials. Applied research, a cross-disciplinary outlook, and an emphasis on social impact form the common thread linking these projects, designed to enrich the global discourse on the future of architecture.

The Politecnico di Milano, supports the following projects participating in the Biennale Architettura 2025:

• Material Bank – Matters Make Sense is a project set up at the Corderie dell’Arsenale, presented by Ingrid Maria Paoletti and Stefano Capolongo (Department of Architecture, Built Environment and Construction Engineering, Politecnico di Milano), together with set designer Margherita Palli and Nobel Laureate Konstantin Novosëlov (National University of Singapore), awarded for his work on graphene. The project explores perception as a fundamental form of intelligence, linking innovative materials, sensory experience and the built environment. Inspired by the intertwined concepts of a labyrinth and a library, the installation, features interactive devices such as the Polimi_Sensing Core, which enables visitors to perceive their own heartbeat through reactive fabrics, prompting a reflection on the body as an environmental interface.
• On display at the Arsenale, within the Intelligens Canon section, Milano Urban Mine is an applied research project proposing a spatial model designed to map building components at the end of their life cycle. The aim is to encourage material reuse strategies in urban settings, supporting the principles of a circular economy and sustainable urban planning. Developed by participants Andrea Bortolotti, Matteo Clementi, Federico Godino and Elena Luongo (Department of Architecture and Urban Studies at Politecnico di Milano), and based on an academic exercise carried out within the 2023–2024 Urban Planning Laboratory at the School of Urban Architecture and Construction Engineering of the Milanese university, the project aligns with current approaches to urban regeneration and material flow analysis.
• Resourceful Intelligence is an installation created through a partnership between Park, Accurat, and the Politecnico di Milano research team composed of participants Gabriele Masera, Francesco Pittau and Michele Versaci. The project tackles the challenge of reusing material resources in the urban landscape, suggesting strategies to reduce raw material consumption via selective deconstruction and mapping resources. Based on two Milanese case studies, the installation illustrates how the built environment can serve as an active reservoir for city regeneration, championing an architectural methodology grounded in circularity and sustainability. This contribution is part of Politecnico di Milano’s wider commitment to design approaches that are conscious, adaptable, and geared toward ecological transition.
• With the “Instabilities. The shifting Alpine landscapes” project, Politecnico di Milano supports to the Biennale Architettura 2025 a cartographic investigation of the Alpine region, displayed at the Corderie dell’Arsenale. This work, developed by participants Francesco Garofalo (Visiting Professor) and Chiara Geroldi (Department of Architecture and Urban Studies, Politecnico di Milano), results from a partnership with BOKU University of Vienna (INLA) and the design studio Openfabric.  First conceived during a project workshop within the master’s degree programme in Landscape Architecture – Land Landscape Heritage this project challenges the idea of the Alps as a fixed and unchanging landscape. It traces the extractive processes such as quarrying, hydroelectric power, ski tourism and monocultures that have historically shaped and continue to transform the Alpine region. Using critical maps, sectional drawings, and visual representations, the project portrays the Alps as a dynamic landscape of extraction—shaped by cycles of expansion and contraction and crossed by material flows and global infrastructure networks.
• REwind REwild is a project by the Centro di Competenze Territori AntiFragili (CRAFT) of the Department of Architecture and Urban Studies at Politecnico di Milano, showcased in the Italian Pavilion – Terrae Aquae. L’intelligenza del mare (The Intelligence of the Sea), by Valeria Fedeli, Massimo Bricocoli, Chiara Nifosì, Cristina Renzoni and Nicola Russi, the project explores the instability of Mediterranean coastal areas through a series of 18 research projects presented in video format. REwind REwild introduces a “polytechnic” and “polytemporal” design approach focused on building resilience and reshaping the connection between infrastructure and natural processes. Set against the backdrop of climate change and urban challenges, the project investigates rewilding strategies and approaches to regional governance that transform crises and disruptions into opportunities for adaptation and regeneration.
• Archive & the City is a visual exploration project based on the Historical Archives of Contemporary Arts of Biennale di Venezia, designed to convey the complexity and richness of over a century of artistic heritage through three large-scale graphic visualisations, each measuring 3×3 metres. Created in partnership with the DensityDesign Lab from the Politecnico di Milano Design Department and coordinated by Luigi Farrauto with Jon Kleinberg, Marco Santambrogio, Achille Varzi, these visualisations convert archival data into an engaging, immersive visual experience. The first showcases the structure and diversity of the stored materials; the second arranges more than 140,000 digital images based on their visual similarities, revealing unexpected connections across different eras and events; the third highlights the relationships between artworks and individuals, uncovering hidden connections and often overlooked figures. The project experiments with data visualisation as a tool for critique, storytelling and curation.
• Design as an Astronaut provides a virtual reality experience within the Argonaut Habitat Unit, developed with the support of the European Space Agency (ESA), MIT Media Lab and Politecnico di Milano. Presented by Valentina Sumini, Cody Paige, Tommy Nilsson, the project investigates the living potential of the Argonaut lunar lander, re-envisioned as a habitat module for short-duration human space missions. The work combines algorithmic modelling and innovative materials – such as Kevlar and mycelium – to create a lightweight, safe and self-sufficient structure. The interior, designed for the astronauts’ psychophysical wellbeing, provides adaptive solutions and lighting strategies inspired by circadian rhythms. It is an invitation to consider extreme habitats as laboratories for a new culture of sustainability.

Biennale Architettura 2025
10 May > 23 November 2025
Opening hours and information

At the 19th International Architecture Exhibition – La Biennale di Venezia, taking place 10 May-23 November 2025, Politecnico di Milano will support seven projects addressing the challenges of contemporary architecture through an interdisciplinary lens. This year’s event, curated by Carlo Ratti, is entitled “Intelligens. Natural. Artificial. Collective.” and invites reflection on the forms of intelligence emerging from the interplay between space, technology, and society.

In this context, the presence of the Politecnico di Milano is reflected in the installations that foster dialogue between architecture, science, and innovation, engaging with themes such as sustainability, sensory perception, wellbeing, and new materials. Applied research, a cross-disciplinary outlook, and an emphasis on social impact form the common thread linking these projects, designed to enrich the global discourse on the future of architecture.

The Politecnico di Milano, supports the following projects participating in the Biennale Architettura 2025:

• Material Bank – Matters Make Sense is a project set up at the Corderie dell’Arsenale, presented by Ingrid Maria Paoletti and Stefano Capolongo (Department of Architecture, Built Environment and Construction Engineering, Politecnico di Milano), together with set designer Margherita Palli and Nobel Laureate Konstantin Novosëlov (National University of Singapore), awarded for his work on graphene. The project explores perception as a fundamental form of intelligence, linking innovative materials, sensory experience and the built environment. Inspired by the intertwined concepts of a labyrinth and a library, the installation, features interactive devices such as the Polimi_Sensing Core, which enables visitors to perceive their own heartbeat through reactive fabrics, prompting a reflection on the body as an environmental interface.
• On display at the Arsenale, within the Intelligens Canon section, Milano Urban Mine is an applied research project proposing a spatial model designed to map building components at the end of their life cycle. The aim is to encourage material reuse strategies in urban settings, supporting the principles of a circular economy and sustainable urban planning. Developed by participants Andrea Bortolotti, Matteo Clementi, Federico Godino and Elena Luongo (Department of Architecture and Urban Studies at Politecnico di Milano), and based on an academic exercise carried out within the 2023–2024 Urban Planning Laboratory at the School of Urban Architecture and Construction Engineering of the Milanese university, the project aligns with current approaches to urban regeneration and material flow analysis.
• Resourceful Intelligence is an installation created through a partnership between Park, Accurat, and the Politecnico di Milano research team composed of participants Gabriele Masera, Francesco Pittau and Michele Versaci. The project tackles the challenge of reusing material resources in the urban landscape, suggesting strategies to reduce raw material consumption via selective deconstruction and mapping resources. Based on two Milanese case studies, the installation illustrates how the built environment can serve as an active reservoir for city regeneration, championing an architectural methodology grounded in circularity and sustainability. This contribution is part of Politecnico di Milano’s wider commitment to design approaches that are conscious, adaptable, and geared toward ecological transition.
• With the “Instabilities. The shifting Alpine landscapes” project, Politecnico di Milano supports to the Biennale Architettura 2025 a cartographic investigation of the Alpine region, displayed at the Corderie dell’Arsenale. This work, developed by participants Francesco Garofalo (Visiting Professor) and Chiara Geroldi (Department of Architecture and Urban Studies, Politecnico di Milano), results from a partnership with BOKU University of Vienna (INLA) and the design studio Openfabric.  First conceived during a project workshop within the master’s degree programme in Landscape Architecture – Land Landscape Heritage this project challenges the idea of the Alps as a fixed and unchanging landscape. It traces the extractive processes such as quarrying, hydroelectric power, ski tourism and monocultures that have historically shaped and continue to transform the Alpine region. Using critical maps, sectional drawings, and visual representations, the project portrays the Alps as a dynamic landscape of extraction—shaped by cycles of expansion and contraction and crossed by material flows and global infrastructure networks.
• REwind REwild is a project by the Centro di Competenze Territori AntiFragili (CRAFT) of the Department of Architecture and Urban Studies at Politecnico di Milano, showcased in the Italian Pavilion – Terrae Aquae. L’intelligenza del mare (The Intelligence of the Sea), by Valeria Fedeli, Massimo Bricocoli, Chiara Nifosì, Cristina Renzoni and Nicola Russi, the project explores the instability of Mediterranean coastal areas through a series of 18 research projects presented in video format. REwind REwild introduces a “polytechnic” and “polytemporal” design approach focused on building resilience and reshaping the connection between infrastructure and natural processes. Set against the backdrop of climate change and urban challenges, the project investigates rewilding strategies and approaches to regional governance that transform crises and disruptions into opportunities for adaptation and regeneration.
• Archive & the City is a visual exploration project based on the Historical Archives of Contemporary Arts of Biennale di Venezia, designed to convey the complexity and richness of over a century of artistic heritage through three large-scale graphic visualisations, each measuring 3×3 metres. Created in partnership with the DensityDesign Lab from the Politecnico di Milano Design Department and coordinated by Luigi Farrauto with Jon Kleinberg, Marco Santambrogio, Achille Varzi, these visualisations convert archival data into an engaging, immersive visual experience. The first showcases the structure and diversity of the stored materials; the second arranges more than 140,000 digital images based on their visual similarities, revealing unexpected connections across different eras and events; the third highlights the relationships between artworks and individuals, uncovering hidden connections and often overlooked figures. The project experiments with data visualisation as a tool for critique, storytelling and curation.
• Design as an Astronaut provides a virtual reality experience within the Argonaut Habitat Unit, developed with the support of the European Space Agency (ESA), MIT Media Lab and Politecnico di Milano. Presented by Valentina Sumini, Cody Paige, Tommy Nilsson, the project investigates the living potential of the Argonaut lunar lander, re-envisioned as a habitat module for short-duration human space missions. The work combines algorithmic modelling and innovative materials – such as Kevlar and mycelium – to create a lightweight, safe and self-sufficient structure. The interior, designed for the astronauts’ psychophysical wellbeing, provides adaptive solutions and lighting strategies inspired by circadian rhythms. It is an invitation to consider extreme habitats as laboratories for a new culture of sustainability.

Biennale Architettura 2025
10 May > 23 November 2025
Opening hours and information

On Sunday, October 5th, the cycling race organized by the Politecnico di Milano returns, with start and finish at the Piacenza Campus. It will be a day dedicated to sport and discovering the local area, through scenic roads, immersion in nature, and a shared passion for cycling.

There will be two road routes to choose from. The first, 25–30 km, is designed for those who want to enjoy the experience in a relaxed and fun way—ideal for easy group rides through the city and countryside, even with children. The second, 76 km, is intended for more experienced cyclists, featuring a longer and more challenging route through the beautiful rolling hills of the Piacenza area.

Registration includes the official adidas t-shirt, race kit, final pasta party, timing service, bag deposit, and many other useful services to help you enjoy the day in comfort.

A special promotion is active until September 4th: you can register for the short route for €18 or for the 76 km route for €25*. After this date, the fees will increase to €25 and €30* respectively. And if you’d like to participate with your family, we’ve thought of you too: with the registration of two adults, you can register up to four teenagers aged 14 to 17 with a €5 discount each.

Discover all the details and register now by clicking here.

We look forward to seeing you on your bike!

*For the 76 km route, if you are not already registered with the Italian Cycling Federation (FCI) as a cycling tourist, you will need to purchase daily insurance coverage at the time of registration, for an additional cost of €10.